Ph.D., Harvard University (1996) Golden Age Drama and poetry; Spanish, Caribbean, and South American theatre and performance; intercultural studies. A recipient of an NEH Summer Grant, Professor Cabranes-Grant has published articles in the Bulletin of Hispanic Studies (Lope de Vega y los debates sobre el origen de la lengua castellana", 2000); Celestinesca ("La resistencia a la tragicomedia: Giraldi Cintio y una polémica sobre Celestina", 1998); Profession '97 ("Intercultural poetics: Thinking from (and from) Diversity", 1997); and Perspectivas sobre la cultura hispánica("Lope de Vega y los pronombres", 1997). Book: Los usos de la repetición en la obra de Lope de Vega (Pliegos, 2004). Forthcoming articles: "Hidden Camera: The Photographic Theatre of Edgardo Rodríquez-Juliá"; "The Fold of Difference: Performing Baroque and Neo-Baroque Mexican Identities"; "Shakespeare's Unfinished Business: An Intercultural Reading of Othello and Paula Vogel's Desdemona"; "Posesión y teatralidad: el caso de María Antonia"; "Staging technology: Caribbean Drama and the Performance of the Machine". At present he is writing his second book, Carribean Theatre and the Intercultural Experience. Professor Cabranes-Grant is also director and a playwright and his works have been produced and stage read in Puerto Rico, Boston, and Santa Barbara. His play "The Barda" won an Independent Award (2003). Golden Age Drama and Poetry; Spanish, Caribbean, and South American Theatre; Intercultural Studies Education
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